Completely imaginative and original opening to a magnificent Titan Symphony Of Gustav Mahler in D major. It is an impassioned integration and fusion of natural drama and gypsy folk music of the Alpine regions. The orchestral forces assemble together in a masterful display of artistry and technique in the opening movement - Langsam Schleppend Wie Ein Naturland Im Anfang Sehr.
Composed in 1884 and inspired b Jean Paul's novel `The Titan', this Symphony's Second Movement is `Blumine' (The Flower Piece). It is indeed like a flower blooming into immortality with the theme carried by the trumpet. It is a beautifully crafted movement with the closing strains on solo violin and soft strings and woodwinds with the final glissando on the harps. It is a pity that most of the conductors omit this movement and not include it in the reading of the Symphony. Zubin Mehta has done full justice to it.
The Third Movement: Kraftig Bewegt Doch Nicht Zu Schnell Landler Scherzo Trio. This movement was described as bringing spring with no end and a set with full sails. It is composed in A major. It is based on an Austrian Landler Folk dance. It is written in a truly mad and deep style that is releasing an ardent energy and depicting true joy of life. It is being played in a live concert by the Orchestra Del Maggio Musicale Fiorentina with Zubin Mehta at the Tchaikovsky Concert Hall in Moscow on 5th April 2011.
The third movement is the slow movement. Feierlich und Gemessen, ohne zu Schleppen. It is a hunter's funeral and the hunter is being carried by animals. The melodic material is based on the popular Alpine folk melody `Bruder Martin' or also known as `Frere Jacques'. Mahler changed it though and transformed it into a minor mode. the movement ends with simple alternating fourths in the lower strings bringing the key motive back from the initial movement.
The Finale - Sturmisch Bewegt - has to burst in after the dissipating gong resonance of the Hunter's Funeral in an impetuous fashion. There is a storm. The great theme after the storm has to be phrased in an excellent way. It has to be interpreted as anxious, angry and dramatic to conclude in a blaze as Zubin Mehta does in his reading.