Thursday, September 2, 2010

Roman Polanski has done it again

Few years back, I was mesmerised by Roman Polanski's 'Pianist'. It was refreshing to see 'The Ghost Writer' this year . I saw it twice in three days and this film replaces all before it as the Film Of The Year. Truly Hitchcockian. What attention to details! Build up and suspense is truly magnetic. Embellished by an outstanding musical score by Alexandre Desplat. Hear it. Roman Polanski has handled this script with an ease like Alfred Hitchcock would have done with Saboteur and The Man who Knew Too Much. I was first bowled over by Polanski's 'Rosemary's Baby' and 'The Tenant'. This film is in the true tradition of how a tale has to be told even if the tale has political overtones. Any other director would have found the going dry and tough. Ewan Mcgregor, I always felt had the potential to deliver; and he has done greatly. Pierce Brosnan is adequate. Good supporting work from Timothy Hutton, James Belushi and Tom Wilkinson. Let me get back to Polanski who is the Master Director here and excellent work by Aexandre Desplat. The visuals are breathtaking and perfect for the sombre mood of the script. The music is a perfect fit to this suspenseful cocktail of a tale. Polanski was born Rajmund Roman Liebling in Paris and his family moved to Poland for business where the second world war saw his parents being sent to the prison concentration camps where his mother died. His father and himself survived the Polish holocaust. He made his mark on Polish cinema with 'A Knife in the Water' in 1962. His work in the American scene started with films like Repulsion(1965), Cul-de-Sac (1966), The Fearless Vampire Killers (1967), Rosemary's Baby (1968),Macbeth (1971),Diary of Forbidden Dreams (1972),Chinatown (1974),The Tenant (1976), Tess (1979), Pirates (1986), Frantic (1988),Bitter Moon (1992),Death and the Maiden (1994),The Ninth Gate (1999),The Pianist (2002),Oliver Twist(2005), To Each His Own Cinema (2007) and The Ghost Writer (2010). The case against him for raping a young girl apart, he has inherited the spirit of Hitchcock in his style of film making.

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